All Frans Hals Oil Paintings

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
 

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Frans Hals The Governors of the Old Men's Almshouse (mk45) oil on canvas


The Governors of the Old Men's Almshouse (mk45)
The Governors of the Old Men's Almshouse (mk45)
Painting ID::  25924
  1664 Oil on canvas 172.5x256cm Haarlem,Frans Halsmuseum
  1664 Oil on canvas 172.5x256cm Haarlem,Frans Halsmuseum

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Frans Hals A Young Man with a Glove oil on canvas


A Young Man with a Glove
A Young Man with a Glove
Painting ID::  29326
  mk65 ca.1650 Oil on canvas 31 1/2x26"
  mk65 ca.1650 Oil on canvas 31 1/2x26"

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Frans Hals Portrait of a Man oil on canvas


Portrait of a Man
Portrait of a Man
Painting ID::  29328
  mk65 Oil o canvas 33x26"
  mk65 Oil o canvas 33x26"

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Frans Hals Two Singing Boys oil on canvas


Two Singing Boys
Two Singing Boys
Painting ID::  33656
  mk86 1626 Oil on canvas 62x54.5cm Cassel,Staatliche Kunstsammlungen
  mk86 1626 Oil on canvas 62x54.5cm Cassel,Staatliche Kunstsammlungen

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Frans Hals Banquet of the Office of the St George Civic Guard in Haarlem oil on canvas


Banquet of the Office of the St George Civic Guard in Haarlem
Banquet of the Office of the St George Civic Guard in Haarlem
Painting ID::  33672
  mk86 1616 Oil on canvas 175x324cm
  mk86 1616 Oil on canvas 175x324cm

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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